Box 1

Williams to producers, Jerry Wald and Charles Feldman. Discusses the script.

Peter Berneis (co-author of screenplay) to Wald. Discusses the script.

Williams to Jerry Wald. Discusses the screenplay and his life in Key West.

Charles Feldman to Jack Warner. Release of the film.

Williams to Warner, Wald, and Feldman. Account of his reaction to the film.

Jack Warner to Williams. Recounts preview screening of the film.

Feldman to Warner. Discusses publicity for the film.

Contract is signed by Tennessee Williams, his agent Audrey Wood who signed for Williams's mother Edwina, and Warner Brothers officials.

Jerry Wald to Williams. Portions of dialogue asking for Williams's comments. Williams's autograph revisions to the dialogue are present.

Williams to Jerry Wald, with attached script revisions. Included with this note are three additional typescript pages containing proposed changes to the script bearing Williams's autograph corrections.

Photocopy of the original shooting script. Bound into yellow wrappers and stamped "Part I. Rev. final" on title page. Accompanying is a one page typescript (mimeo) synopsis of the film prepared by the Warner Brothers story department.

Rewrites and additions of material for the film version. Sent from Rome by Williams and dated August 15, 1949.

Eddie Dowling to "Dear Abel." Dated April 17, 1965. Dowling was the producer of the original Chicago and Broadway productions of The Glass Menagerie. Dowling also played the role of Tom in both of these productions. Dowling discusses a revival of the play. Also two clippings pertaining to the film.

Revised version of specific portions of the screenplay.

Appears to be the original draft of the above version. It consists of three typescript sheets containing proposed changes to the script as well as 3 pages of autograph notes. Several different hands are present throughout the text. In addition, the signature of Paul Bowles appears in pencil in the top right hand corner of the first typescript sheet.

Notation "Master copy" appears in pencil on the first page. Consists of changes and revisions to individual scenes. Sections of the script are individually dated and numbered. Date span ranges from November 29–December 14, 1949.

Opening page heading "Warehouse Sequence." Consists of individual sections of the script. Sections are undated and numbered internally.

Changes to a specific scene with two copies of a typed memorandum from Jerry Wald to Irving Rapper concerning the changes.

Extensive group of changes, many bear Williams's autograph revisions.

Includes a cover note by Williams explaining his objectives with this group of changes.

Title page is dated "Key West, Florida / February 19, 1952." The notation "not last version / a.w." is penciled onto the top right corner of the title page. Bound into a blue "Liebling-Wood" folder.

Bound into a blue "Liebling-Wood" folder.

Includes title-page and pages [1]-65. Bound into a blue "Liebling-Wood" folder. Typed on black ribbon with stage directions in red. Autograph notations "Revised Jan 1950" in ink and "not last version" in red pencil on right hand corner of title page.

Includes title-page, pages I-iii, and pages 1-102, paginated by block. Bound into a blue "Liebling-Wood" folder. Typed on black ribbon with stage directions in red.

Includes title-page, list of characters, pages I-ii, and pages 1-115, paginated by act. Bound into a blue "Liebling-Wood" folder.