Box 2

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Final revised script, in binder. World Film Services, Ltd.

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In black duplicating service binder, an unpublished format.

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Cover sheet dated "June 1960" and marked "Return to Frank Corsaro." Photocopy of the working script used by the director Frank Corsaro for the first New York production of the play.

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Production chart, including "time sheet," "focussing charts," and "lighting cues," used in the 1962 Broadway production. This copy sent to Williams's agent, Rosemary Wood, by "JMG," with Wood's accompanying note.

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Bound in yellow wrappers bearing the imprint of Metro-Goldwyn-Mayer Inc., Culver City, California. Labeled "Dialogue Cutting Continuity" script. Used for the 1964 M-G-M film production.

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Bound in fuchsia printed wrappers. Script for a Los Angeles production but not posthumous.

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Manila folder in which the script was originally laid bears the autograph notation "orig...emended & revised version for Miami Enclosed."

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Bound into blue "Liebling-Wood" wrappers. The penciled notation "September 1953" appears on the title page.

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Bound into blue "Liebling-Wood" wrappers. The penciled notation "corrected July 1954" appears on the title page. The title page also contains a list of "other possible titles" for the play: Orpheus Descending, The Memory of an Orchard, The Fugitive Kind, and Something Wild in the Country.

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Bound into dark blue printed wrappers with the stamp of "Anne Meyerson Typing and Mimeograph Service."

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Playscript in unpublished state in maroon duplicating service binder.

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Marked "Revised, December, 1959" on title page. Text paginated by act followed by 24 pages of "Addenda: possible inserts and variations." Printed label of MCA, Williams's agency, with "Audrey Wood" and autograph notation "Audrey Wood's personal copy" present on the title page.

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Labeled "Revised--November, 1974" and bears the autograph "#20" written in ink on the title page. Bound in blue printed wrappers of the Studio Duplicating Service, Inc. Also stamp of International Famous Agency.

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Occasional autograph corrections in an unidentified hand throughout the text. Bound into red printed wrappers.

Scope and Contents Paged internally by act and bound into blue printed wrappers. Carbon sheets containing revisions interleaved with mimeo sheets; occasional autograph revisions are also present. An additional typescript (carbon) slip has been pasted over a portion of the text (p. 2-1-14) replacing a speech in Act 2. This copy was used for the play's initial tryout in Chicago which premiered December 29, 1950. The name and address of Cheryl Crawford, the play's producer, is reproduced on the lower right hand...

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Bound into a green folder and paged internally by act with additional pages laid in. Contains numerous autograph corrections to the text. Title page dated "Fourth draft, New York, October, 1950." Also bears Williams's autograph notation: "My copy of script used during rehearsals and Chicago tryout. Tennessee Williams."

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Includes two pages titled "Dynamics of the Play" and 29 pages of rewrites for Part II, Scenes 3 and 4 and Part III, Scenes 2 and 3.

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Copy of the film script used for the 1955 Paramount film production. Cover sheet is marked "2nd temporary yellow/May 24, 1954."