Showing Collections: 1 - 7 of 7
H. Buxton Forman papers relating to John Keats
The H. Buxton Forman papers relating to John Keats contains materials relating to nineteenth century English poet John Keats. These materials were collected during the late nineteenth and early twentieth centuries by American H. Buxton Forman and other members of his family.
L. A. G. Strong letters to Mary Turner and Tom Turner
The L. A. G. Strong letters to Mary Turner and Tom Turner contains 41 letters written by British author L. A. G. (Leonard Alfred George) Strong (1896-1959) to his friend, bibliophile Tom Turner (1870-1949), as well as 150 autograph letters addressed to Mary Turner (born circa 1924), Tom Turner's daughter. The letters to Mary Turner document an affair she seems to have had with Strong.
Frank W. Tober papers
The Frank W. Tober papers comprise letters, postcards, photographs, pamphlets, magazines, newspaper clippings, newsletters, printing ephemera, invoices, notebooks, woodblocks, prints, coins, sculpture, and other realia. A major portion of the papers relate to Tober's collections and collecting activities. Tober was a chemical engineer with a substantial personal interest in the study of rare books, printing, Napoleon and the French Revolution, and, in particular, literary forgery.
Robert A. Wilson collection
The Robert A. Wilson collection comprises 9 linear feet of material related to 36 prominent literary figures, previously in the private collection of Robert A. Wilson, the final owner of the Phoenix Book Shop, in New York City (1962-1988).
Robert A. Wilson John Wieners collection
Robert A. Wilson - Marianne Moore collection
The Robert A. Wilson - Marianne Moore collection comprises 1 linear foot of material spanning the dates between 1925 and 1997 and includes correspondence to and from American poet Marianne Moore, the majority of which was written to Phoenix Book Shop proprietor Robert A. Wilson; works by and about Moore; newspaper clippings, photographs, pamphlets, broadsheets, and invitations documenting aspects of Moore’s career and public appearances; audio recordings; and realia.