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Robert A. Wilson John Wieners collection

 Collection
Identifier: MSS 0555

Scope and Content Note

The Robert A. Wilson John Wieners collection comprises one linear foot of materials, spanning the dates between 1958-1988, relating to the literary career of and publication of works by Boston-born poet John Wieners (1934-2002). The collection includes manuscripts, page and galley proofs, mock-ups of some of Wieners's shorter publications, postcards, correspondence to Robert Wilson from Wieners, sheet music, flyers for Wieners's New York readings, reviews of Wieners's work, and photographs.

The collection offers examples of Wieners's writing process, as he was a writer who often revised his work. Personal letters in the collection reflect the business relationship and close, encouraging friendship that formed between Wieners and Wilson. The letters refer to Wieners's concern for the publicity and longevity of his works and his often difficult financial situation; they additionally mention many of Wieners and Wilson's mutual friends and acquaintances, mostly poets and authors involved with the Beat movement and the Black Mountain School, such as LeRoi Jones (Amiri Baraka), Diane di Prima, Robert Creeley, Charles Olson, Lawrence Ferlinghetti, James Carr, and Allen Ginsberg. A number of the items in the collection are accompanied by Post-it notes bearing brief descriptions in Wilson’s hand.

The Robert A. Wilson John Wieners collection is arranged in four series: I. Works; II. Correspondence; III. Publicity, reviews, and critical writings about John Wieners; and IV. Photographs and ephemera. Series I. comprises materials related to John Wieners's works in a variety of genres, both published and unpublished. The series demonstrates various stages of Wieners’s work as well as his range as an author. Material includes manuscripts, page and galley proofs, mock-ups, signatures, printing bills, clippings and printed works, and dummies.

Series II. consists of the correspondence from Wieners to Robert A. Wilson, excepting a few items, recipients of which have been noted. Items of interest include postcards from Wieners to Wilson and Marshall Clements from Spoleto, Italy, where in 1965, several Beat poets gathered to share their work. Another highlight of this series is the postcard dated January 13, 1970, sent from Gloucester, Massachusetts, to Wilson after the funeral service of poet and co-founder of Black Mountain College, Charles Olson (died January 10, 1970), signed by Wieners, Allen de Loach, and Allen Ginsberg. Material is arranged chronologically.

Series III. includes items relating to publicity, reviews and critical writings about John Wieners’s work; critical reception of his work, a topic of conversation in his correspondence with Wilson, was a source of concern and interest for Wieners.

Series IV. includes photographs, mostly of Wieners, and sheet music of “Autumn in New York” inscribed to Wilson from Wieners.

Dates

  • Creation: 1958-1988

Creator

Language of Materials

Materials entirely in English.

Access Restrictions

The collection is open for research.

Terms Governing Use and Reproduction

Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce isrequired from the copyright holder. Please contact Special Collections Department, University of Delaware Library, https://library.udel.edu/static/purl.php?askspec

John Wieners

American poet John Wieners (1934-2002) is identified with both the Black Mountain School as well as the Beats. His poetry contains themes of drug abuse and mental illness, as well as a concern for women's rights, gay rights, and other social issues.

Wieners was born in Boston, Massachusetts, in 1934. He received his A.B. from Boston College in 1954. With encouragement from poet Charles Olson (1910-1970), Wieners attended Black Mountain College in North Carolina from 1955-1956, where he studied writing with poets Robert Creeley (1926-2005) and Robert Duncan (1919-1988). Wieners is also identified with the American Beat poets, having spent time in San Francisco at the height of the movement in the late 1950s. Wieners's first collection of poems, The Hotel Wentley Poems (1958), was written in San Francisco and became an instant sensation with the Beats.

In 1961, Wieners moved to New York City with aid from Allen Ginsberg's Poetry Foundation and returned to Boston in 1964. His interaction with Robert Wilson of The Phoenix Book Shop brought about the publication by Wilson and James Carr of Wieners's second collection, Ace of Pentacles (1964), a volume that received much positive critical attention. Wieners studied with his mentor Charles Olson at SUNY Buffalo from 1965 until 1967, during which time he wrote and published Pressed Wafer (1967).

Struggles with substance abuse and mental anguish over the course of his life led to periods of institutionalization for Wieners in 1959, 1969, and at various times in the early 1970s. Yet Wieners continued to write and publish, gaining insight and inspiration from those difficult times, and the early 1970s was a prolific time for Wieners. During his time at an institution in 1969, Wieners composed Asylum Poems (1969). 1970 saw the publication of Nerves , Wieners's first international volume. Wieners was also very active in promoting political causes, taking part in the antiwar movement, speaking out against racism, and campaigning for gay and women's rights. Cincinnati Pike, Or Behind the State Capitol (1975) was another landmark piece for Wieners, and combines a wide variety of media and poetic forms.

Wieners published little new work since 1975 and remained largely out of the public eye. In 1986, he produced a retrospective collection, Selected Poems, 1958-1984 , edited by Raymond Foye and with a forward written by Allen Ginsberg. In 1996, Wieners's previously unpublished journal by was published in an edited form by The Sun and Moon Press; the volume documents his life in San Francisco around the time of The Hotel Wentley Poems . The book, The Journal of John Wieners is to be called 707 Scott Street for Billie Holiday, 1959 , contains Wieners's prose, poetry, and various impressions of the creative atmosphere in San Francisco at the onset of the 1960s.

Wieners died on March 1, 2002, in Boston, Massachusetts.

Raymond Foye, "John Wieners,"Dictionary of Literary Biography, Volume 16. The Beats: Literary Bohemians in Postwar America. Detroit: Gale Research Company, 1983. pp. 572-583."John Wieners."Contemporary Authors Online, Gale, 2007. Reproduced in Biography Resource Center. Farmington Hills, Mich.: Thomson Gale. 2007. http://galenet.galegroup.com (Retrieved 2007 March 4)

Robert A. Wilson

Bibliographer, author, and bookseller Robert A. Wilson was the proprietor of The Phoenix Book Shop, a renowned New York book shop and center of literary activity, particularly associated with writers of the Black Mountain School and the American Beat poets, from 1962 until it closed in 1988.

As the proprietor of The Phoenix Book Shop, Wilson interacted and was friends with many authors whose work he sold, printed, and later collected. Wilson provided encouragement and support, both artistic and financial, to many of the authors who frequented his shop and with whom he formed lifelong friendships.

In addition to selling books by the avant-garde and contemporary writers of the 1950s and 1960s, Wilson also published works out of The Phoenix, including his own bibliographies of some of those writers, Christmas keepsakes, and collections of poetry by authors such as Marianne Moore, Gregory Corso, Allen Ginsberg, and Diane di Prima. The first work published by Wilson and his colleague James Carr was John Wieners’s Ace of Pentacles (1964).

In 1997, several authors came together to pay tribute to Wilson and The Phoenix with the book The Phoenix Book Shop: a Nest of Memories, and in 2001, Wilson published a memoir of his twenty-six-year run as the owner of The Phoenix, titled Seeing Shelley Plain: Memories of New York's Legendary Phoenix Book Shop .

Wilson, Robert A.Seeing Shelley Plain. New Castle, DE: Oak Knoll Books, 2001.

Extent

1 linear foot

Abstract

The Robert A. Wilson John Wieners collection comprises one linear foot of materials, spanning the dates between 1958-1988, relating to the literary career of and publication of works by Boston-born poet John Wieners (1934-2002). The collection includes manuscripts, page and galley proofs, mock-ups of some of Wieners's shorter publications, postcards, correspondence to Robert Wilson from Wieners, sheet music, flyers for Wieners's New York readings, reviews of Wieners's work, and photographs.

Source

Purchase, 2007.

Related Materials in this Repository

MSS 0138 John Wieners papers

MSS 0481 Robert A. Wilson collection

MSS 0369 Robert A. Wilson collection related to James Purdy

MSS 0626 David Haselwood, John Wieners, publisher's files for The Hotel Wentley Poems

Shelving Summary

  1. Boxes 1-3: Shelved in SPEC MSS manuscript boxes
  2. F6, F7: Shelved in SPEC MSS oversize galleys
  3. Removals: Shelved in SPEC MSS oversize galleys

Processing

Processed by Maureen Cech, March 2007. Encoded by Maureen Cech, November 2011.

Title
Finding aid for Robert A. Wilson John Wieners collection
Status
Completed
Author
University of Delaware Library, Special Collections
Date
2011 November 4
Description rules
Describing Archives: A Content Standard
Language of description
English
Script of description
Latin

Repository Details

Part of the University of Delaware Library Special Collections Repository

Contact:
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Newark DE 19717-5267 USA
302-831-2229